Showing posts with label Economic crisis. Show all posts
Showing posts with label Economic crisis. Show all posts

Tuesday, April 7, 2009

The Short Story Arc—JB’s Quest



Now most of you know reading this blog that I am an aspiring author, the information I provide is my own interpretation of what I have learned in my creative journey in writing fiction. The information highway (the internet) is filled vastly with articles, books, blogs, webpages on the topic of writing. Clearly then, you understand what you read, is written from one like yourself, a student of the craft, and may not be totally factual or actual, but my own perception.

My journey is to understand the Story Arc, after searching the web I see it is basically used for television sitcoms, and games. The Story Arc, a Three-Act Structure, meaning in effect.

Act 1 # Inciting Incident
Act 2 # Crisis
Act 3 # Resolution

In any good story there has to be something that happens. (Conflict) The character has to be put into a situation, where a decision has to be made to change or not to change. After searching the web and reading a lot of material, I coming to the understanding that in literary short story the character does not necessarily have to change. And reflecting back on last weeks Sweet Hearts of the Rodeo reading “Awaiting Orders” by Tobias Wolff, clearly there was no change in Sergeant Morse.(That’s a BIGGEY, considering all books on the craft say there has to be a change—a resolution.)

Lecture by Stephen J. Cannell WHAT IS THE THREE ACT STRUCTURE?

Often, when I ask a writer this question I am told that it is a beginning, middle and an end. This is not the answer. A lunch line has a beginning, middle and an end. The Three-Act structure is critical to good dramatic writing, and each act has specific story moves. Every great movie, book or play that has stood the test of time has a solid Three-Act structure. (Elizabethan Dramas were five act plays, but still had a strictly prescribed structure.) The only place where this is not the case is in a one-act play, where "slice of life" writing is the rule.


From Wikipedia

Dramatic structure and purpose
The purpose of a story arc is to move a character or a situation from one state to another — in other words, to effect a change. When we look at to effect a change, it takes us to the Greek word Peripeteia. Peripeteia means a reversal of circumstances, or turning point.

Returning to Awaiting Orders:

So in essence, for Sergeant Morse, the resolution, the change came for him in the Greek word Peripeteia a reversal of circumstances. In the diner when, “Morse recognized two men from his company at a table across the room. He watched them until they glanced his way, then he nodded and they nodded back. Money in the bank—confirmed sighting of Sergeant Morse with woman and child. Family. He hated thinking so bitter and cheap a thought, and resented whatever led him to think it. Still, how else could they be seen, the three of them, in a pancake house at this hour? And it wasn’t just their resemblance to a family. No, there was the atmosphere of family here, in the very silence of the table: Julianne with her eyes closed, the boy working away on his picture, Morse himself looking on like any husband and father.” An instance cover, a shield, by their recognizing him as well, changing his circumstances of worrying about his homosexual tendencies being detected.

When we look at the inciting incident is the situation the main character is in, in the beginning of the story. Some refer to this as the hook, an inciting incident doesn’t have to be huge, like a murder or a bank robbery, but it is the question that sets up the story, and creates an event that throws the characters everyday life out of balance and triggers them into taking action. In the beginning we also include exposition that provides the background information needed to properly understand the story, such as the protagonist, the antagonist, the basic conflict, and the setting.

When we talk of Crisis: this is the middle of the story, where the rising action and various obstacles that frustrate and complicate the protagonist reaching their goal.
Last but not least the resolution: the climax, the turning point, which marks the change good or bad for the protagonist.

Hopefully this will be of some benefit to those like me that are aspiring. Hopefully, others will add their thoughts on the subject, perhaps offering a clearer understanding than mine. Perhaps, maybe a lengthier discussion on the subject will arise.
Happy Writing!

Saturday, February 14, 2009

Getting Washington to Get Their Duck’s in a Row!

The phrase was first coined in a magazine article in 1932 that suggested, "getting our economic ducks in a row."





We know who is in charge…A Democratic Congress…how do we know that? They've said it often enough! We have the House! Okay, you've got it and you've passed a so called Stimulus package that is suppose to create jobs or is it save jobs? 



Which is it boy's and girl's? Make up your mind!



You've placed enough blame on the Republicans to last a lifetime. Now who's going to take the blame if this STIMULUS Package doesn't work? Somehow or another you'll find a way to blame the Republicans.





Considering you don't know what bipartisanship is…according to Merriam Webster… involving members of two parties; specifically: marked by or involving cooperation, agreement, and compromise between two major political parties.







In this humble citizen's opinion, the Dem's act like Donald Duck on steroids. You've seen Donald when he's mad and doesn't get his way-the way he throws a hissy fit.
And if you haven't seen him...here's Donald Duck…








You'd think they'd act like adults, wouldn't you, especially with people losing their jobs and homes.  I don't want anyone losing their jobs, but I wonder what would happen if Congress, and the Senate, as well as the man in the White House woke up one morning and didn't have a job? What would they do? There isn't that many jobs out there…oh well, wait a minute, isn't that what all this pork is about? 




Wasn't this supposed to be about Mainstream America, saving people's homes? Their jobs?  Helping people get through this crisis, saving America?


 



You'd think they'd act like adults wouldn't you, especially with people losing their jobs and homes. Well it might do them good to wake up one morning and not have a job, too. If they keep on acting the way they're doing, it might just come down to that. 

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